My relationship with Wadge goes back about 10-12 years, I was (and am) very much into drum-machine-driven grindcore, and as you might be aware, Wadge is exactly that.
At one point, I contacted Wadge via their MySpace, and was very excited to actually get an answer from Paul Wadge. We agreed to make a split between Wadge and my band Kusari Gama Kill, and Jay Randall of Agoraphobic Nosebleed fame agreed to release it on a new label he was planning, namely Grindcore Karaoke. The split was never made, but Paul and I kept in touch. He is a very nice man, and I still hope to shake hands with him one day.
Wadge has had a Tiki-theme going on for quite some time now, and it has been good fun, and great grind. But on this new album called The End of Ethnology, and is 100% Tiki-Free. As the liner notes go:
“This album is for those who value the ability to freely speak your mind over the modern worry of tiptoeing through the misguided muck of feelings. The anti-fascists have become the fascists. Modern day witch hunters trampling through life with stakes in their eyes. Redefining language and soothsaying thought. No one is immune from their delusional social arson, but only you can decide whether or not you burn. Stop, drop and roll, motherfuckers.
This album is for our comrades around the world. Oceans and miles separate us, but the affinity for this wretched filth keeps us close.”
Musically this is Wadge in top-shape. The songs are lean and hungry snippets of grind. I love the production too, the best sounding Wadge record I know of.
I urge you to acquire this slap of plastic before it is sold out. Mortville has released it, and you can get it at the link below.
All there’s left to say, is: Take it sleazy, all the breast.
I thought I’d never do this… A download only release on a vinyl blog. But then again – rules are there to be broken, right?
Sepik is all about groovy riffs and catchy choruses. The lyrics deal with not being too young anymore, dealing with tinnitus and other age-related stuff. I feel a deep bond with Sepik. This is a tribute to all us middle aged noiseniks.
It was released on Jay Randall’s Grindcore Karaoke label in 2013, and has gone unnoticed by the masses ever since – undeservedly so! Hence I decided to spread the word of this ought-to-be classic!