Doom – Corrupt Fucking System

I’m happy to say that this is one fine Doom lp. Raw and vital with a filthy production. The lyrics are to the point and intense pieces of political poetry.
>
http://www.discogs.com/Doom-Corrupt-Fucking-System/release/5243853
Eat shit and buy
Cloud Rat – Moksha lp 2013
http://www.discogs.com/Cloud-Rat-Moksha/master/575014
Cloud Rat is one of my favorite alt-grind bands. The combination of thinking outside the standard grindcore formula, while retaining ferocity and anger pleases me a lot.

This lp was released last year, and I consider it to be the strongest work of Cloud Rat yet. The comparison to Fuck The Facts is tempting, but I consider Cloud Rat to be superior to FTF. Mainly due to the punkier vibe to Cloud Rat (I’m not very fond of getting too much metal in my grindcore…).

This lp here is a delightful package, a beautiful cover, and overall a nice record to look at and touch. Listeningwise it rules all the way through. The Neil Young cover song (Needle and the Damage Done) kick my viking arse to Valhalla and back.
Get it!
http://haloofflies.bandcamp.com/album/moksha
http://7degreesrecords.bandcamp.com/album/7dr016-cloudrat-moksha-lp
Napalm Death – Utopia Banished

When this lp came out in June 1992, I had just moved to Copenhagen. I had been quite disappointed by Harmony Corruption, and was wary of the thought of a Napalm Death without Mick Harris.
“The world keeps turning – We overdose on overdrive.”
(The World Keeps Turning)
But I wasn’t dissapointed.
Not at all. In fact this was and is one of the best Napalm Death albums ever. Mind you, I still worship every second of grind made by the Steer/Dorrian/Harris-lineups, but since that gang went to its grave, this new revitalized band is a bloody good substitute. Danny Herrera is one of my all time favourite drummers, and Barney has here honed his trademark vitriolic lyrics and singing to something Unique.
“We overdose on overdrive, we spin out of control.”
(The World Keeps Turning)
A funny thing about Utopia Banished, is how much influence there is from the From Enslavement To Obliteration lp.
It is as if Harmony Corruption had never existed. And I consider it a tragedy for grindcore in general and me personally (yeas yeah) that they didn’t follow the path laid out for them here, but instead chose that boring industrial route they blundered around in for the next 8 years. The of course came Enemy Of The Music Business and Napalm Death were back with a vengeance.
Go have a beer and a listen!
Either this original lp version: http://www.discogs.com/Napalm-Death-Utopia-Banished/release/739080
Or this great remastered cd: http://www.discogs.com/Napalm-Death-Utopia-Banished/release/3703196
Oh and let’s not forget this industrial schlager:
Contemptuous
Sadness, despair.
Sometimes the things I cherish,
Sometimes that’s all I’ve got,
And that’s enough.
Bitterness, anger.
Man made torture,
Not to be shared.
Bremer/McCoy – Enhed

Wow, this is a good record. It was released a week or so ago. And is worth every buck. This is high quality Danish jazz mixed with roots reggae.
You should grab this baby while supplies last.
http://raskeplader.bigcartel.com/product/bremer-mccoy-lp-forsalg
It’s available on Spotify too.
Instigators – New Old Now

Ah. This is a gem. I love Instigators. My old chum Kenneth introduced me to them in the late 1980’s. He had a great deal of communication with the singer Andy Turner. I think I remember this lp is re-recordings of old material, to be released in Brazil?
Instigators – New Old Now on Discogs:
http://www.discogs.com/Instigators-New-Old-Now/release/2878178
Wikipedia about Instigators:
http://en.wikipedia.org/wiki/Instigators
I love the cover. Go Fatty!
Sweet Tooth – Soft White Underbelly
Here we have one of Justin Broadrick’s more obscure releases. Released in 1990 and sounding a lot like Head Of David’s Dustbowl with a punkier edge. It might be a paranthesis in JK’s massive output, but I like it anyway. It has a more organic feel than Godflesh, but with the same industrial heaviness and deep sense of desolation. It reminds me of Larry Niven and Jerry Pournelle’s novel The Mote In God’s Eye, especially the sentence: “The industrial ugliness of the endless cityscape”.

Dave Cochran who plays bass and sings was the founder(?) of Head Of David, and Scott Kiehl the drummer was in Slab.
Read more about that fine novel here:
http://en.wikipedia.org/wiki/The_Mote_in_God’s_Eye
And about the record here:
http://www.discogs.com/Sweet-Tooth-Soft-White-Underbelly/release/387193

















